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De beginjaren van de film en de tijd van de avant-garde 1896-1931    
Exposing the film apparatus    
Klassieke en moderne filmtheorie    
Ostrannenie    
Ostrannenie    
Stories    
Stories    
The Key Debates | 4 Techne/ technology    

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European Film Studies Key Debates

Ostrannenie    
Ostrannenie    
Subjectivity    

Framing Film

De veren van de zwaan    
Dutch Post-war Fiction Film through a Lens of Psychoanalysis    
Exposing the film apparatus    
Fantasia of color in early cinema    
Film museum practice and film historiography    
Filming for the Future    
From Grain to Pixel    
Humour and irony in Dutch post-war fiction film    
Images of Dutchness    
Images of occupation in Dutch film    
Light image imagination    
Light, image, imagination    
Multiple language versions made in Babelsberg    
Performing Moving Images    
Preserving and exhibiting media art    
Preserving and exhibiting media art    
The Colour Fantastic    
The conscience of cinema    
The Films of Bill Morrison    
The greatest films never seen
Watch and learn    
Women in the Silent Cinema    

Sleutelteksten film- en mediatheorie

De beginjaren van de film en de tijd van de avant-garde 1896-1931    
Klassieke en moderne filmtheorie    

The Key Debates

Audiences    
Feminisms    
Stories