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De beginjaren van de film en de tijd van de avant-garde 1896-1931
Exposing the film apparatus
Klassieke en moderne filmtheorie
Ostrannenie
Ostrannenie
Stories
Stories
The Key Debates | 4 Techne/ technology
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European Film Studies Key Debates
Ostrannenie
Ostrannenie
Subjectivity
Framing Film
De veren van de zwaan
Dutch Post-war Fiction Film through a Lens of Psychoanalysis
Exposing the film apparatus
Fantasia of color in early cinema
Film museum practice and film historiography
Filming for the Future
From Grain to Pixel
Humour and irony in Dutch post-war fiction film
Images of Dutchness
Images of occupation in Dutch film
Light image imagination
Light, image, imagination
Multiple language versions made in Babelsberg
Performing Moving Images
Preserving and exhibiting media art
Preserving and exhibiting media art
The Colour Fantastic
The conscience of cinema
The Films of Bill Morrison
The greatest films never seen
Watch and learn
Women in the Silent Cinema
Sleutelteksten film- en mediatheorie
De beginjaren van de film en de tijd van de avant-garde 1896-1931
Klassieke en moderne filmtheorie
The Key Debates
Audiences
Feminisms
Stories