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Special Effects and German Silent Film
Reeksen
Film Culture in Transition
A Revolution for the Screen
Advertising and the Transformation of Screen Cultures
Alexander Kluge
Between stillness and motion
Beyond the Essay Film
Cine-dispositives
Cinema and narrative complexity
Color and empathy
Danièle Huillet, Jean-Marie Straub
Disaster Cinema in Historical Perspective
Ephemeral Cinema Spaces
Epistemic screens
Exhibiting cinema in contemporary art
Farocki/Godard
Figuring the past
Film History as Media Archaeology
Film Phenomenology and Adaptation
Film Serials and the American Cinema, 1910-1940
Futurist Cinema
German Cinema in the Age of Neoliberalism
Hollywood in Cannes
Hollywood is everywhere
Improvising cinema
Late Bresson and the Visual Arts
LGBTQ Film Festivals
Mapping the Moving Image
Melodrama after the tears
Modern ghost melodramas
Moving Forward, Looking Back
Neorealist Film Culture, 1945-1954
New mythological figures in Spanish cinema
New mythological figures in Spanish cinema (1975-1995)
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz
Realist Cinema as World Cinema
Sovereign violence
Sovereign violence
Special Effects and German Silent Film
The Digital Image and Reality
The Uncanny Child in Transnational Cinema
The Work of Terrence Malick
Theorizing Film Through Contemporary Art
Towards a Political Aesthetics of Cinema
Transition and transformation
Visions of Vienna
Walter ruttmann and the cinema of multiplicity
Warped minds